From the hipsters of Williamsburg in Brooklyn to the cinephiles of France, Romanian cinema is developing a global cult-like following that in 2010 should make Romania famous for something far more meaningful than Dracula, Ceaucescu and Nadia Comaneci.
The so-called “New Wave” Romanian cinema is producing film-lovers’ films. They tell stark, lonely stories of micro-human-scale dramas, in impressive defiance of all the mega trends and commercial might of the global film industry, which tends to favour big stories, grand, sweeping tales of heroes, wars and disasters and the great processes of history. Continue reading “Crunch time for Romania’s ‘New Wave’”
